Querini Stampalia Foundation
A HOME FOR ART
WHERE HISTORY AND MODERNITY READ THE SIGNS OF THE TIMES TOGETHER
A sixteenth-century palace stands on the water, its architectural spaces by Carlo Scarpa, Valeriano Pastor and Mario Botta acting as a backdrop to concerts, meetings, exhibitions, workshops and special events. Its windows open onto the world while casting a backward glance at its history and collections: this is the Fondazione Querini Stampalia. The last descendant of the family, the cultured and philanthropic Count Giovanni, bequeathed it to the city in 1869.
The library has grown over the years. It now contains 400,000 books, of which 36,000 are directly accessible in the reading rooms, which are open until late and on public holidays, just as the Fondazione’s benefactor stipulated. The collections include a nucleus of incunabula and sixteenth-century manuscripts, atlases and maps, which together with the Querini Stampalia family’s private archive, bear witness to the history of Venice and its territory.
The museum home appears lived in even to this day. It is the model of a patrician palace, containing original furnishings and a vast art collection: Giovanni Bellini, Lorenzo di Credi, Jacopo Palma il Vecchio, Bernardo Strozzi, Marco and Sebastiano Ricci, Giambattista Tiepolo, and glimpses of Venetian life by Pietro Longhi and Gabriel Bella. There are over 400 paintings from the fourteenth to the twentieth century, most of them by Venetian and Veneto artists.
From November 2018, the Fondazione Querini Stampalia welcomes a new addition in the form of a section of priceless works.
Thanks to an agreement with Intesa Sanpaolo, the Fondazione Querini Stampalia hosts the artworks and collections of the Cassa di Risparmio di Venezia.
The Fondazione Querini Stampalia has been chosen as the venue to best exhibit and house these collections. The layout of the spaces was redesigned by architect Michele De Lucchi.
The major collection is housed in the large third-floor rooms of the Fondazione Querini Stampalia.
As they move through the rooms, visitors will be able to admire Venetian works of art dating from the 16th to the 20th century, ranging from paintings to sculptures, from furnishing to clocks, and from drawings to etchings.
Of particular interest are two paintings by Canaletto, the large sketch of Paradiso (Paradise) by Domenico Tintoretto, and that of The Last Judgement by Giambattista Tiepolo, as well as works by other Venetian masters, all the way up to Caffi and Ciardi. The sculptures include works by Arturo Martini and Alberto Viani.
An elegant bookshop, a friendly café and a secret garden with Eastern connotations. This is an unusual Venice, in which the emotion of art and beauty reside.
- Opening hours: from Tuesday to Sunday from 10 am to 6 pm. The ticket office closes at 17.30
- Tickets: full price € 14,00, reduced ticket € 10
- Guided tours ara available in italian, english, french and german. Per info and reservations go on our website http://www.querinistampalia.org/eng/services/guided_tours.php .
- Contats: tel 0412711411 - fax 0412711445 - email firstname.lastname@example.org
Luigi Ghirri's photographic shots will meet Andrea Zanzotto's verses and Giuseppe Caccavale's drawings in a three-part dialogue in which photography, poetry and art will merge into a single site-specific installation in the portego of the historic Querini Stampalia Library...
The exhibition revolves around the largest views of Venice ever made, painted in the 1880s by the Venetian painter and decorator, Giovanni Biasin. It is a work of art of just over one and a half metres in height and almost twenty-two metres in length depicting a 360° view of Venice from a special angle, that is from the water level, on a boat in St. Mark’s basin. Alongside the masterpiece...
Un approfondimento che è un invito alla visita.
Lo propone la Fondazione Querini Stampalia con quattro video, che sono quattro percorsi online alla scoperta dei segreti di una mostra spettacolare con la guida di curatori ed esperti.
Quattro conversazioni sulla forza di cui è capace l'immagine, dall'incisione al cinema,...