La Fenice Theatre
The Fenice Theatre, built in 1790-1792 project by Giannantonio Selva, was destroyed by fire twice. The first time on 1836: the restoration carried out by Tommaso and Giambattista Meduna after the fire privileged the musical function. When La Fenice Theatre was destroyed by fire on January 1996, the theatre was to be rebuilt as quickly as possible. It was decided there and then to rebuild La Fenice “as and where it stood”. The winning project by Aldo Rossi was completed by the end of 2003. The reconstruction work was performed in five different environments: Sale Apollinee, Theatrical Cavea, Scenery Machinery, Northern Wing, Southern Wing.
Buy your ticket :
- on line on Venezia Unica
- on site by Venezia Unica ticket offices
- Theatre Tours
- Telephone: +39 041 786511
- La Fenice Opera House has two entrances:
- the stage door is for theatre staff and performers only and is manned by a doorman;
- the main entrance is for paying theatregoers, visitors on guided tours, and people who wish to purchase tickets for performances or souvenirs at the theatre bookshops or simply ask for information at our Information Desk.
- Lifts The boxes, gallery and family circle can be reached via elevators. Ushers will be happy to escort you to your seats.
- Access The theatre complies with all legal regulations regarding special needs accessibility. Special needs patrons can access the theatre via an elevator located on the ground floor on Calle de La Fenice. We kindly request that you call us in advance at + 39 041 786511 so that we can notify the appropriate staff members, who will be happy to guide you through the theatre.
Among the plasterwork and gilding in the prestigious room, this tour permits the discovery of the back- scene life and secrets of the Theatre and it protagonists, retracing their history from its origins to our days.
From 3 to 30 June from 10 am to 5pm. Reservations are required by calling the number +39 (0)41786672 (only the...
In 1860 Isma’il Pascià, the Khedive of Egypt commissioned Verdi with a composition to celebrate the opening of the Suez Canal for a sum of 80,000 francs. Verdi refused, saying he did not write music for special occasions. However, when the French archaeologist Auguste Mariette sent him the outline of a libretto based on an Egyptian subject through Camille du Locle, the director of the...
Il trovatore (The Trobadour), premiered in Rome in 1853, is a panel of Verdi’s so told ‘popular trilogy’ alongside Rigoletto and La traviata. Themes of obsession, revenge, family and civil war are conveyed through fiery dramatic contrasts.
The towering character is the gypsy Azucena, a social outcast. Verdi, who by this time had trespassed the belcanto...
«Always make Barbiere! Always Barbiere!», Beethoven suggested to Rossini on meeting him in Vienna. “I cannot help but think that Il barbiere di Siviglia, by its abundance of true musical ideas, comic verve and truth of declamation, is the finest opera buffa that exists”. Thus wrote Giuseppe Verdi to a French critic in 1898. Rossini never composed a more successful opera than Barbiere. Still...
Rossini’s first opera, the one-act farce La cambiale di matrimonio (The Bill of Marriage), premiered in 1810 at Venice’s Teatro San Moisè. Composed in a few days when he was 18 years old, it already contains all the elements that soon would take the music world by storm: rich melodic invention, ingenious connections between sung lines and orchestral accompaniment, and breathtaking ensembles...
Musikàmera, founded by a group of chamber music enthusiasts from different musical and professional background, aims to cultivate an ever broader audience among the city's residence with particular attention focused on schools and universities. To this end all the concerts will be preceded a brief presentation.
In this endeavour, Musikàmera enjoys the support of Teatro La...
When Verdi unveiled La traviata as a “subject of our time”, he hoped this salacious tale would receive a performance in modern dress for its première at La Fenice. Instead, the censors introduced a distancing effect by moving the action back to the 1700s, thus reducing the work’s impact as a critique of contemporary life. Robert Carsen’s production acknowledges Verdi’s wish by placing...
Ottone in villa (RV 729) è un dramma per musica in tre atti di Antonio Vivaldi su libretto di Domenico Lalli. Fu la prima opera del Prete Rosso e venne rappresentata per la prima volta al Teatro delle Garzerie di Vicenza il 17 maggio 1713. Fu commissionata da Antonio Francesco Farsetti, l’allora capitano (governatore) di Vicenza. Alla prima rappresentazione i cantanti...
L’Orchestra del Teatro La Fenice esegue due grandi classici del repertorio: la Serenata in mi bemolle maggiore op. 7 di Richard Strauss e la Serenata n. 10 in si bemolle maggiore KV 361 Gran Partita di Wolfgang Amadeus Mozart